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Explore the different ways to use markings and expressive properties
What makes brand? Does it only mean points, doodles and brushstrokes? What add expressive qualities to the look and the feeling of a work of art?
Mark describes the different lines, points, markings, patterns and textures that we create in a work of art. It can be loose and engraved or controlled and tidy. It can be applied to any material used on each surface: paint on canvas, ink or pencil on paper, a scratched mark on plaster, a digital paint tool on a screen, a tattooed mark on the skin ... even Noise can be a shape of the brand its production. Artists use gesture to express their feeling and feelings in response to something seen or some felt or gesture qualities to produce a purely abstract composition.
The Impressionists used brand brand - in the form of separate brush brands or color rods - to add the life, the movement and the light of their paintings of things they saw around them. Later artists who work in an expressionist style, also created Willem De Kooning representative works of art with the marking. In its unnamed drawing of , De Kooning uses rough charbo lines, markings and stains to propose the movement of the people he pulls.
Artists often use features and disturbing qualities to express their feelings or emotions about something they have seen or experienced. Patrick Heron's Azalea Garden was inspired by the shower of flowers, which breaks out in his garden. The malignant claw and battered notes used by Jean Faurier to create his sculpture large tragic head seem to communicate directly to the horror and the fear he has experienced during the Second World War. Cy Twombly developed gesture brand in a form of personal handwriting. In its set of paintings based on the seasons, he uses this "handwriting" of markings to express what the different seasons mean for him.
Artists also use expressive marking brand to create pure abstract works of art that do not necessarily relate to anything in the real world, but are intuitive or respond to a defined ruleset.
Action painters like Jackson Pollock (the dropped and dripped on his screens and squatted on his canvases) and Niki de Saint Phalle, who found a novel kind of label in their shooting pictures by firing a weapon through Malbeutel, then Exploded a canvas that creates explosive markers, splashes and drops. An important influence on this type of improvised label was the surrealistic doctrine of automatism - that meant to be accessible to ideas and images from the subconscious or the unconscious spirit.
gerhard judge experiments with many different types of applying color in his paintings. One technique he has adopted is to use a homemade squeegee to lubricate and scratch on the surface of his pictures. The resulting brands look almost digitally in their effect.
Mark does not always have to be damaged and uncontrolled. Eva Hesse created beautiful cheerful drawings such as Untitled 1967 by systematically filling out the squares of the diagram paper with tiny markers. Bernard Cohen's use of brand Mark maheld in use as at this moment is similarly methodical at this moment. A single uninterrupted line waves systematically over the screen, in this way, and that that crosses itself and crashes, only stop when the entire surface is filled.
Known for your repeated point patterns, Yayoi Kusama is another artist who systematically marks.It creates paintings, sculptures and facilities that immerse the viewer in their obsessive vision of endless points. For your interactive obliteration room a completely monochrome living room is "extinguished" with multicolored stickers, converted from an empty canvas into an explosion of the color, whereby thousands of stains are plugged over any available surface.
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