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Paraphrase , in music, the appropriation of a sentence, melody, section or a total piece for use in another, especially during the renaissance for masses and motors as well as for keyboard work. The original melody is generally not used as in its original context, but is from the interpolation of new notes by changing or lowering the rhythm or melodic contour or through condensation or preparation of melodic passages. A paraphrased melody can occur in a voting part of the new composition, as in the motet Alma Redemptoris Mater ( beloved mother of the Redeemer ) of Guillaume Dufay or in all voice parts through technology The melodic imitation, as in the Missa Pangen Lingua (mass on the Plainong-Hymn "Pangen Lingua" ["sing, my tongue"]) by Josquin des Prez.
In the 19th century music, the term acquired somewhat different connotations, as a piano and other virtuoso worked in elaborate paraphrases of operas as well as by the works of the other.
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